Writing serial fiction can teach you some important lessons about storytelling, like flexibility in your plot when unexpected events force you to make changes.

This week you’re going to write a sonnet. Some of you just rolled your eyes, because sonnets are child’s play. Some of you just gripped at a failing heart, because sonnets are Shakespeare-level expert stuff. If you’re in either category, you missed the point of yesterday’s post. That’s okay. I’ll say another word or two about it next Tuesday, but for now I want you to humor me.

When I was in fifth grade my teacher gave us an assignment to write a one-page story using at least half of our spelling words for the week. That’s what we call a “writing prompt.” Writer’s Digest offers regular writing prompts, and most creative writing courses are built at least partially around them. The goal is to get you out of your languishing manuscript and just get you writing. They usually do that by creating a scene you haven’t thought about before, forcing you to start fresh, make something happen, and then get on with your work.